England, 1955 |
Ushers wearing white gowns
part before the round stage,
brightly lit, ready for take
off
glowing like a white snail on
the trail of Mount Tam,
curved black line opening out
against pearl.
Ravi Shankar sits in the
center, Sitar resonating,
waves of sound a hand
motioning.
Internal orange, oak tree
branches, a brain
making a turn and then
another, and
then follow with inner eye,
elbows, then
cauliflower leaves emerging.
My mother is examined by Dr.
Ravishankar
a woman in her early thirties
who speaks loudly
says you won’t be able to live alone
people have to watch her.
My mother hasn’t slept in two
days
since found on her bathroom
floor
incoherent, left side bruised
and flacid. And now, like a
smudge on a mirror
she is seen as an old woman
the tree with its many
branches
reaching incrementally.
Oak outside the hospital
a fifty year old brain
against the sky
with roots that tip under a
circular pathway.
Branches, metranomic fingers,
grow,
pulse regular, blood
circulating
late summer leaves a grey
green.
The clot waited for this
moment
after years of observation
from a high balcony seat
opera glasses afloat,
absorbing the drama.
Waited until now.
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